why is musicality important for a dancer

Music is energy. It adds an additional language for you to enrich and incorporate into your vocabulary. You can physically feel the radiating vibrations! Resources of a musician: a notable musician draws from several essential resources: musicality, material (voice, dexterity), practice, education; Relation to dancing: Musicality is also related to dancing, since musicality is essential for becoming a good dancer. Yes it is more important than technique, yes it is more important than hip movement in Latin, and yes it is more important than posture and frame in Standard. See Related Article: The Ultimate Guide To Musicality For Beginner Dancers At its core, dancing is showing your musicality in physical form.It is a nonverbal way of telling people “ this is what I hear in this song. “They're unable to transmit the emotion the musical notes are giving," Feijóo says. At its core, dancing is showing music in physical form. As you get into the score, you can start moving your body to what each of these elements makes you feel. Even if you've never played an instrument or learned how to read music, you can still hone your musicality. Incorporate free-style dance into your lessons about musicality. I think it is even more important to choose music you can relate to in some way. Why is Flexibility Important? 1. there are varying degrees of musicality (albeit the measuring of someone's musical ability is subjective to some degree) . As I began brainstorming for this post, I ended up asking myself the reverse question: What is dance without musicality? When looking at elements of Grace, we mentioned musicality as a quality in dancers that “will trick you into forgetting about the orchestra pit and thinking that his or her movement is creating the music.”. Here is a little experiment: in your fitness class at the gym, try to move WITH the music and to move AGAINST the music; and try to lift some weights when you sync to the rhythm versus to not use music at all. For example, by spotting your head on the 3 sub-beats of a Waltz, you will likely have a more dynamic and successful Pirouette! This cueword causes dancers to concentrate on concentrating rather than on, once again, the performance-relevant aspects of performing. Musicality is essential to feeling the music and portraying that through your movements. “Cold” by However Improbable is licensed CC BY-ND 3.0 Another important aspect to dance that would benefit from the practice of improvisation is musicality. “I wondered why no one had a basic understanding of how their body works,” he recalls. It just takes some practice. It is always present, whether you are listening to the actual progression of notes or the spaces and silences in between. It saddened me to hear, when having a discussion with Yawen, the founder of Ballegro, that she often feels that when she accompanies for ballet classes, dancers hear the music as a background soundtrack. So,what exactly is musicality? They are but the two sides of the same coin. For example, if a dancer is concerned about musicality, a … The importance of eating well should not be underestimated as it affects overall health. Jazz is an opportunity for dancers to showcase their musicality and strength. It really just takes practice and dedication to develop your musicality. Each instrument has its own unique appeal and sound, and when you experiment with many types of music, you can find deep connections to different songs and styles that bring out the dance spirit you have naturally. And anyone can be a dancer no training required. It helps you find your own phrasing and dynamics within the context of the choreography. It's not enough to be a master of one style—even when they specialize in one area, dancers are frequently asked to fuse multiple genres, or step out of their comfort zone for specific projects. The result is obvious. Moreover, when you understand the inherent groove associated with the rhythms in the music, it is much more likely for you to have a successful Pirouette if you: 1) don’t sit too long in your preparatory plie, 2) have a quick rebound from you plie into Passe position 3) sustain this position throughout the turn, and 4) anticipate the suspension and control as you end it. Knowing these things allows me to take this next step of being musical. How you execute a Plies exercise is different from Frappes, Grand Battement, Adage, and Pirouettes. It is a key ingredient in a dancer’s display of artistry (more on developing artistry can … Music is sonic movement. If that's not your thing, you can still train your ear for the entirety of the music by going to live concerts, studying recordings of performances, and listening to symphonies. It can be performed anywhere not just on a stage. At the most basic level, dancers should use inhalation to emphasize growing movements, and exhalation to extend shrinking movements. This translates directly to the melody of the movement and creates the space for adding breaths, pauses, and exclamation points when needed! You can be still, but even when you are not moving in space there is a buzzing within you, whether it’s an emotion, sensation, thought, or experience. Because it is the essence of all movement. When we learn to move with that unseen energy — that groove — it assists with our own movement. It's the dancer's ability to take the mood and the emotive progression of each chord and note within a score and play it out in physical form in a performance. Try different moves to musical elements like short and quick notes, long-held notes, and different mood-driven tones like deeply emotive bittersweet melodies or light-hearted chord progressions. Music is movement. Dancers use different body movements to interpret music, to convey meaning and to entertain audiences. It helps the dancer facilitate and access movement in a fresh way. Flexibility is essential for all dancers; professionals understand that flexibility is one of the most important physical aspects to becoming a great dancer. Pirouettes. Dancers and dance students hear this word in class, over and over again. As I am making decisions of what positions I want to hold longer and which I want to reach quicker, I have found that I have not only become more consistent and able to execute the difficult technical steps, but I have also become more engaged with the exciting task at hand! It adds an additional language for you to enrich and incorporate into your vocabulary. When you are dancing with a partner, you have a relationship with your partner, and what is holding that relationship together is the music you both are listening to. I think the idea of someone "not being musical" is an incorrect statement. Musicality is the interpretation a dancer givesto a piece of music with her or his body movements. Why? I don't believe it is possible for someone to "not be musical". Finding a deep connection to the music can also help access these technical things that we, as perfectionists, are always craving more of. A well-developed sense of musicality separates the pros from the amateurs. Even if the choreography is created without the music that will be used, there is always a musical intention. As dance students, we’re required to have this musicality trick. When you are dancing by your self, you as a dancer have an established relationship with the music. The recommended daily caloric intake for women is 2000 and for men it is 2500 calories. Musicality is expressing the rhythm of notes from an instrument, through our bodies. The music is more than a beat or metronome. They focused more on the intellectual process of creating the dance than the end product. Dancers are both artists and athletes. The answer of how this can be done is spatial awareness, something we all have, but dancers train for years to master it fully. Musicality is one of those things teachers go on about, like placement, or not rolling your ankles. Musicality in dance then might be considered a measure or degree to which a dancer is receptive and creative in his translation or rendering of music through movement. Dance - Dance - Components of the dance: Dancers are not just performing artists; their bodies are also the instruments through which the art is created. A typical 3/4 Waltz groove is that of the “Strong — Weak — Weak” pattern. Let the music tell you what the dance will look like, and you'll be that much closer to true musicality in your dancing. As it is the beginning of a new year, and with a tango festival looming on us, I thought having a week long workshop at understanding how phrasing works in … Accessing music from within makes the dynamics and rhythms of the movement come from a much more authentic place. How Developers Are Saving the Music Industry from Suing Each Other, Let’s Make Therapy Cool: It’s Time for the Music Industry to Rethink Mental Health (Guest Column), Retro-Review: ‘Refuge Denied’ by Sanctuary, From Eminem to Nicki Minaj: The Art of Laughter in Hip-Hop. The qualities between exercises may be similar, but there is always an aspect that differentiates them; the way you use a Plie differs when it is a part of your Warm-Up exercise, a Pirouette, or for Grand Allegro. This ultimately shows in the way you connect each movement you incorporate into your dance. They focused more on the intellectual process of creating the dance than the end product. Not Being Musical Is Technically Impossible...And This Matters! Incorporate free-style dance into your lessons about musicality. If you're coming from a dance background with more of a mechanical approach to choreography, try taking out some of that formality when choosing new music for developing a dance. This is precisely why it is always easier for singers to sing in tune with an acoustic piano as opposed to an electronic piano, and why acoustic instruments (as opposed to synthesizers) seem to have more impact on movers. There's just something about a dancer with. Another important aspect to dance that would benefit from the practice of improvisation is musicality. For me, this allows me to access more movement in my back/upper body, as opposed to getting stuck in trying to find more turnout or a higher arabesque.